At the same time, it's a year of inside-movies practicalities, of special attention to the business at hand, because of the structural threats to the movie business from new and powerful players. In his article highlighting the best movies of 2019, Richard Brody of The New Yorker said, "It's the year of apocalyptic cinema of the highest order, the year in which three of our best filmmakers have responded with vast ambition, invention, and inspiration to the crises at hand, including the threats to American democracy, the catastrophic menaces arising from global warming, the corrosive cruelty of ethnic hatreds and nationalist prejudices, and the poisonous overconcentration of money and power.
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